This device will come as a bundle only with a 22m, 40m, 50m lenses. This device is like brand new, kept in the utmost care. The camera was always carried in a case and free of all scratches and dents. Any further question please message me.
The mirrorless M6 Mark II is smaller and lighter than the 90D, although with the EVF attached it’s not pocketable. Its monitor screen tilts up through 180 degrees and down through 45 degrees, making it more suitable for vloggers. Its Dual Pixel CMOS AF system works with the viewfinder instead of just for Live View shooting as it does in the 90D. Canon EOS M6 Mark II (Silver) at Amazon for $849 The new powerhouse 32.5MP sensor gives this camera a higher resolution than its big brother, the Canon EOS R. In fact, the M6 Mark II packs more megapixels than any Canon body save the 50MP 5DS/R – not at all bad for the supposedly humble APS-C format. w2gHn. First Impressions Taken in isolation, the Canon M6 Mark II is shaping up to be a very good all-rounder for travellers or street photographers who already have a stash of EF-M or EF lenses and are looking for a mini DSLR. The trouble is, as impressive as this camera’s specs are, they’re not drastically better than rival cameras that have either better native lens ranges like Fujfilm’s X Series or superior autofocus in the case of Sony’s A6400. In some ways, the M6 Mark II’s enthusiast-leaning controls and handling also feel a little at odds with its lack of a built-in viewfinder, which makes it feel like a slight shame that it didn’t also announce a Mark II version of EOS M5. Still, if you’re looking for a small, relatively inexpensive companion to your Canon DSLR and don’t mind using it with an EF-EOS M adaptor, it could well make sense as a frictionless option that feels and performs like a mini Canon 90D. We’ll bring you our full verdict very soon. Key Specifications Review Price £ body only APS-C sensor Dual Pixel CMOS AF system with Face and Eye AF Compatible with EF lenses via an adaptor 14fps burst shooting or 30fps Raw shooting with electronic shutter 3-inch tilting touchscreen Compatible with electronic viewfinder EVF-DC2 Canon’s launch of the EOS M6 Mark II sums up its approach to mirrorless cameras so far – it was announced alongside the Canon 90D, a DSLR that packs the same powers into an old-school design. With one eye on preserving its DSLRs, Canon has never really gone all-out on APS-C mirrorless cameras. Still, the EOS M6 Mark II might be the first time it’s launched a travel-friendly mirrorless model that doesn’t feel intentionally hobbled in some way. This viewfinder-less alternative to the EOS M5 doesn’t reinvent a weight class that’s led by the Sony A6400 and Fujifilm X-T30. But the M6 Mark II brings strong resolution, burst shooting and video upgrades that make it a promising option for owners of EF-M or EF-S lenses who fancy a street photography camera that doesn’t break the bank or the back. I spent a few hours with one in the challenging conditions of an indoor go karting track to see if it’s shaping up to be Canon’s best small, mirrorless camera so far… Related Best mirrorless cameras Design – The M6 Mark II’s bigger grip gives you a better handle on things The EOS M6 Mark II is a handsome, well-built camera for enthusiast photographers that doesn’t radically depart from its predecessor. There are two main design changes. One is a bigger grip, which makes it very comfortable to hold, particularly with longer lenses like the 18-150mm I mostly used it with. This means it handles better than most cameras of this size, particularly if you’re coming from a DSLR, with the grip noticeably bigger than the ones found on the Panasonic GX80 and Fujifilm X-T30. On the downside, it’s also slightly bigger and heavier than those rivals. As if to confirm that the M6 Mark II is courting advanced photographers rather than the point-and-shoot crowd, the other new features are an MF-AF switch on the back and a new customisable rear dial. Together, this all adds up to a very complete, intuitive control system that’s ideal if you like to shoot in manual or fine-tune settings while you shoot. Still, there is one big feature missing for advanced shooters – an electronic viewfinder. Like its predecessor, the EOS M6 Mark II does work with the EVF-DC2. This costs £187 when bought separately, though Canon will bundle this in the box when you buy the camera with the 15-45mm kit lens. I suppose this setup does give you the choice of trading the viewfinder for improved portability, when conditions suit. But given that the M6 Mark II still isn’t exactly pocketable without the viewfinder, it feels like advanced photographers might still be more attracted to the Canon EOS M5 or waiting for a Mark II version of that camera. Still, if you’re not too bothered about the lack of a built-in viewfinder, this side-by-side shows how much smaller the M6 Mark II is than the 90D, which is virtually its specs and features twin. Related Best camera Specs and features – A big upgrade on the M6 and a good all-rounder for the price The M6 Mark II might not have changed much physically, but it has been given a pretty serious boost under the hood. Like the Canon 90D, it pairs a APS-C sensor with Canon’s latest Digic 8 processor. What does that mean in the real world? Despite that extra resolution, it means you get improved burst shooting up from 7fps to 14fps for a better hit-rate when shooting action scenes, and the ability to shoot 4K video without a crop. Those aren’t the only boosts to burst shooting and video either. If you don’t mind using an electronic shutter which always brings the danger of rolling shutter, then you can shoot at up to 30fps in Raw. There’s also now a 120fps slo-mo mode when shooting video in Full HD, as well as Eye Detection AF when shooting with continuous autofocus in stills and movies. This all adds up to a very feature-packed camera for this price and, in practice, the M6 Mark II mostly lives up to its generous spec sheet. It’s fast and responsive, both in terms of start-up time and autofocus, and locked onto subjects well in the very tough conditions of a dingy, indoor Go Karting track. If anything, the performance is restricted most by the lack of native EF-M lenses. There are still only eight native lenses for EOS M cameras, with a distinct absence of exciting primes. Of course, you can always add the EF-EOS M adaptor an extra £135 to unlock Canon’s huge range of EF-M lenses, but this adds size and expense to a camera whose big appeal is supposedly lowering both of those things. Are there any other missing features? It’s a shame the M6 Mark II doesn’t have a fully articulating touchscreen like the Canon 90D, and without a headphone input it’s vlogging credentials are limited compared to its DSLR sibling. There’s also no in-built image stabilisation, though most EF-M lenses have built-in IS and this isn’t a feature you’ll find on the more expensive Fujifilm X-T30 or the Sony A6400. If you shoot a lot of handheld video or low light photos, then you’re better off looking at something like the Panasonic G90. Related Best vlogging cameras Image quality – Solid performance, but held back by native lens limitations It’s too early to make any final judgements on the M6 Mark II’s image quality, but so far it appears to follow in the footsteps of its predecessor – which means means reliable exposures with good pleasing colours, albeit without the sharpest detail around. The big benefit over the original M6 is less in image quality although that extra resolution is handy for cropping, but in the variety of images you can take. That boost to the burst shooting means the M6 Mark II is a potentially handy camera to have on hand in demanding action scenes, like Go Karting. Not every frame will be a keeper, of course, and Dual Pixel AF is less stellar at locking onto subjects that aren’t clearly contrasted with the background, but it certainly boosts your chances of getting a shot. The big bottleneck, as always, is lenses – without many native fast primes or constant aperture zooms in the EF-M lineup, you’ll likely need to adapt an EF-S lens to tease out the best performance and image quality from the M6 Mark II. The 18-150mm lens I used for most of these shots was pushed to its absolute limit by the gloomy conditions, so I’m looking forward to testing out the M6 Mark II with some faster lenses. We’ll bring you our full verdict very soon. A ’hands on review’ is our first impression of a product only - it is not a full test and verdict. Our writer must have spent some time with the product to describe an early sense of what it’s like to use. We call these hands on reviews’ to make them visible in search. However these are always unscored and don’t give recommendations. Read more about our reviews policy. There is no sensitivity adjustment for the dial/knob controls of the M6 II, the only sensitivity adjustment is for the touch dials are standard encoder controls with mechanical steps. Do you hear/feel clicks as you rotate the dial? You should. Is the selected exposure value changing without the dial clicking? If either of these are happening then the encoder control is defective. You should feel regular solid detents as the dial is rotated and nothing should happen between these attempt should be made to clean this control, it can only be serviced by opening the camera and that is something that shouldn't be attempted by the typical EOS 1DX M3, 1DX M2, 1DX, 5DS R, M6 Mark II, 1D M2, EOS 650 film, many lenses, XF400 video If you were worried that Canon would ignore its APS-C mirrorless camera series after the introduction of the full-frame EOS R, your anxiety should be somewhat lessened by the EOS M6 Mark II $ body only, which debuts just about a year after the EOS R. It sports a new sensor with class-leading resolution, better 4K support, and improved autofocus compared with the last generation, the most recent model being the EOS M50. It's the best mirrorless camera Canon has made to date, but enthusiasts may be turned off by a scarcity of premium lens options. Where's the EVF? The EOS M6 Mark II comes with a price tag that's decidedly not entry-level—just $50 less than the Sony a6400 or Fujifilm X-T30, two cameras that are all but equal, and our Editors' Choices for shoppers looking in this price range. But it's missing one big feature offered by the competition—a built-in viewfinder—a design choice I think is a misstep. You can add an external viewfinder, but it's a bit of a clumsy solution that makes the whole thing bigger than it would be if one was in the body. The add-on finder, the EVF-DC2, costs $200 on its own, but is included in M6 Mark II kits. Canon offers two, one with the EF-M 15-45mm f/ IS STM zoom for $1,099, and another with the EF-M 18-150mm f/ IS STM for $1,349. Both body and kit options are available in your choice of black or silver finish. The kits are certainly a better value than buying the camera by itself. Similar Products Even without an EVF, the M6 isn't notably smaller than competing models that include one. It measures by by inches HWD without a lens attached, and weighs ounces. Compare that with the a6400 by by inches, ounces and X-T30 by by inches, ounces. Solid Ergonomics The M6 Mark II is a compact camera, but it's one that feels very good in the hand. The handgrip isn't quite as deep as I'd want when pairing with a big lens, but to date every EF-M lens has been positively svelte. It's something to consider if you're a Canon SLR owner thinking about using your existing lenses via the EF-EOS M adapter. I used the camera with the EVF attached when working handheld, but took it off and relied on the rear LCD when seeing how the body handles on a tripod. I love the tilting design of the LCD, and its touch interface. The EVF-DC2 doesn't offer tilt adjustment. The EVF-DC1 does, and it works with the M6. But its tech is older—it uses an LCD panel, rather than the DC2's OLED, which isn't good for tracking fast action, something the M6 Mark II is quite capable of capturing. Canon has done a good job improving the control scheme of the original EOS M6. The top dials are better, with the Mode a little more prominent, and the rearmost of the command dials a much stronger design. Canon ditched the two-level EV control for a single dial with a control button at its center. It's more versatile and comfortable to turn. The On/Off switch is nestled at its side. The shutter sits at a gentle angle above the handgrip. It has a good feel—a light touch depresses it halfway to engage autofocus, and a little more pressure snaps a photo or starts a burst. It's surrounded by the front control dial, finished in knurled metal. The M-Fn button, a customizable control, sits just to the right of the shutter release. Rear controls have been rethought a bit. The buttons are bigger and feel better than on the original M6, for one. There's now an AF/MF toggle switch, for quick changes to focus mode, along with a customizable control button at its center. The AE Lock * and focus point selection buttons sit at the edge of the rear thumb rest, just as on the first M6. Info, Record, Play, and Menu buttons surround the rear control dial, which turns continuously and offers four directional presses. They adjust EV, the flash settings, the drive mode, or delete images during playback. The Q/Set button, for the on-screen interface, is at the center of the wheel. The improved feel versus the original M6 isn't limited to dials and buttons. The handgrip is a bit deeper, and I like the feel of the leatherette wrap more. The body is a little wider, so there's more breathing room for the rear controls. The round-eye strap lugs have also been dropped, in favor of sturdier rectangular brackets. The rear display is a 3-inch LCD with touch support and a 1,040k-dot resolution. It's very sharp, and can tilt up, down, or face all the way forward. The touch support is excellent, with great response. The screen isn't just for framing and reviewing images. Pressing the Q button launches a view that gives quick access to common settings and is easily navigable by touch. You can also tap a subject to initiate tracking, or use the screen as a focus control surface when using the EVF—you'll see a small orange reticle in the viewfinder, which moves as you slide your finger on the rear LCD. Connectivity and Power Canon includes Wi-Fi and Bluetooth in the M6 Mark II. It works with the Canon Camera Connect app, a free download for Android and iOS platforms, to transfer photos for on-the-go editing and sharing, or for remote camera control. Both features work well—you get a live view from the lens on your phone's screen when using it as a remote, and images transfer over painlessly. Physical connections include the hot shoe, which works with the EVF and Speedlite flashes, as well as a mic jack, a remote connection, micro HDMI, and USB-C. The battery and memory card both load in the bottom. It's a single SDXC slot with support for the fastest UHS-II media. In-camera charging is available via USB-C, but it's a little tempermental as to what batteries and power adapters will charge it. I was able to replenish the battery using my MacBook Pro charger, but not a generic external battery. A standard external charger for the battery, which plugs directly into an AC outlet, is included. Improved Autofocus, Shutter Mechanism The M6 Mark II's Dual Pixel AF system is notably improved from the previous generation. It covers a wide swath of the sensor, the full height and 88 percent of its width, and can be sized down to a small point for precise focusing. The camera can fire as quickly as 14fps in its Hi+ burst rate, with 7fps capture available at the Hi setting and 3fps at the Low. It tracks subjects effectively, even at top speed. The buffer does fill up pretty quickly, though. You'll get about 20 shots in Raw or Raw+JPG, 30 shots in C Raw or C Raw+JPG, or 35 shots in JPG format before the shooting rate slows down. Thankfully the camera supports fast UHS-II SDXC cards, so it only takes about 10 seconds to clear the buffer to memory. Faster burst rate aside, Canon has made some other improvements to the focus system. Face and eye detection are available, even in continuous AI Servo focus. It works well—you can see it in action in our Atomos Ninja screen recording, embedded above. I don't think it's quite as confident as the similar tech in the Fujifilm X-T30 and Sony a6400, but it's not that far off. It will definitely help you get better-focused snapshots of your kids at play, for example. I was also happy to see how well the tracking focus system kept pace with cars moving down a racetrack at high speeds. I found tapping on the subject, or using the Touch Pad AF function, to be the best ways to identify a subject. See How We Test Digital Cameras Canon has upgraded the shutter mechanism. It's capable of firing at 1/4,000-second at its fastest, but you now have the option of using both front and rear mechanical curtains—which means it closes down, opens, and closes again to make an image, just like with an SLR. It's a departure from earlier M models, which rely entirely on an electronic front curtain shutter EFCS. It's a minor thing—there are some instances where an EFCS can distort the shape of bokeh highlights. It's not something I'd fret about—the portrait above was shot with EFCS and the EF-M 32mm f/ STM lens at its widest aperture and the bokeh looks fine to me. There's also a fully electronic shutter option, which can fire as quickly as 1/16,000-second. Densest APS-C Sensor Canon has squeezed into its APS-C sensor, the most we've resolution we've seen from the smaller-than-full-frame format. Despite the increase in pixel density, we saw better noise control than the company's 24MP chip, used in the original EOS M6 and others. It's not class-leading—that honor goes to the 26MP sensor found in the Fujifilm X-T3 and X-T30—but it's not that far off. Canon's JPG engine is a little heavy with noise reduction, curbing fine detail starting around ISO 800, but it's a rather modest effect, and image quality holds steady through ISO 3200. There's a little bit more blur at ISO 6400 and 12800, and it increases significantly at ISO 25600 and 51200. Keep in mind that the M6 won't go higher than ISO 6400 in Auto ISO mode unless you change a setting in the menu, and if you do you can only pump it up to ISO 25600. If you're looking at the M6 as a family camera to use in automatic mode, you'll enjoy very good image quality through its default Auto ISO range. More advanced photographers can enable Raw capture. The M6 supports two formats, Raw and C Raw, the latter of which adds some compression to keep file sizes down, without compromising file quality. Standard Raw files are around 45MB, while C Raw cuts them to about 30MB—file sizes do vary based on scene content. You don't lose anything by opting for C Raw, so I recommend using it. Raw images show strong detail all the way through ISO 6400 when processed using Lightroom. There is a grainy look, though, first apparent at ISO 800 and increasing steadily with the sensitivity. The sensor is very competitive with the 26MP chip used by the latest Fujifilm cameras through ISO 6400. The sensor shows a little more noise and a little less fine detail than the X-T3 at ISO 12800 and 25600, but there's very little practical difference. The output from either camera at ISO 51200 looks the same—very rough. Our overall impression of the new sensor is very positive—it's a good step forward for Canon, one that narrows the performance gap its previous-generation 24MP chip suffered versus others, and boosts resolution in the process. You can see crops from both Raw and JPG test images in the slideshow linked below. We're happy with the flexibility of the Raw images when it comes to adjusting exposure. Some recent Canon chips have suffered from excessive color noise when increasing exposure, brightening shadows, or lifting blacks. With the M6 Mark II, you have as much flexibility with Raw processing as you can expect from any APS-C camera. The new sensor, along with its Digic 8 image processor, is capable of doing some things with video that older Canon chips can't do—like record 4K video using the full width of the frame, and with speedy Dual Pixel AF. It also supports 1080p, of course, at 30 or 60fps with audio recording and full-time autofocus; Canon is adding 24fps later this year via a free firmware update. There is a slow-motion option, 1080p120, but autofocus is locked in for the duration of the shot and audio isn't captured. There are some pro-grade video features, like flat recording profiles, that are missing. But my biggest gripe about the M6 Mark II and video isn't the lack of high-end features; if that's what you want, other brands will serve you better at this price. Rather, it's that Canon hides away the 4K and slow-motion capabilities. They are only enabled when the Mode dial is set to the movie camera position. In all other modes, pressing the Record button limits you to 1080p. Extremely Capable, Modestly Supported Here's the rub—there's a lot to love about the EOS M6 Mark II. Canon has finally pushed its Dual Pixel AF system to a level that's on par with its very hearty competition, and it's finally given us an APS-C camera that can use its full sensor width to shoot video at 4K. It can shoot and track moving targets at 14fps, with autofocus coverage over most of the frame. But, despite how much this camera can do, Canon has decided to hide some things, and limit others, especially in terms of video. Meanwhile, Fujifilm and Sony absolutely pack video options to the gills in their competing cameras. Lenses are important for everything, not just video. Canon offers a number of zooms, covering ultra-wide through telephoto distances, but only a couple of prime lens options and a single native macro at this point in time. Sigma is now offering its DC DN Contemporary trio of f/ primes in EF-M, and sundry manual focus lens makers offer their wares in every mirrorless mount. But it's still far fewer options than offered to Fujifilm X and Sony E users. How much all this matters to you really depends on what you want out of the camera. If you're happy with what it offers and content with the lenses, the EOS M6 Mark II looks like a very promising, albeit expensive, option. Family photographers used to a basic Rebel SLR from even a couple of years ago will be blown away by the upgrades in speed and resolution. Likewise, pros deeply invested in the Canon system can look at this as another tool in the kit, a small, extremely capable stills camera, compatible with Speedlites and lenses that are already owned, and with a very familiar user interface. It's the enthusiast crowd, or pros who aren't in the Canon ecosystem, for whom the EOS M line, on a whole, is a tougher sell. The lenses just aren't there, and the video features that serious YouTubers and aspiring Kubricks look for aren't there either. The add-on viewfinder isn't as elegant a solution as models that put it in the body, and it adds to the overall cost of the package. It's for those reasons we continue to recommend the Fujifilm X-T30 and Sony a6400 more highly for photographers shopping for a mirrorless camera. The M6 Mark II itself isn't too far behind, and if Canon can better support it with native lens options, its appeal should broaden. Pros High-resolution sensor. 14fps burst rate. Quick, accurate autofocus. Face and eye detection. Flip-up LCD. 4K video. Bluetooth and Wi-Fi. View More Cons EVF isn't built in. Sensor isn't stabilized. Native lens library lacks premium options. Dumbed-down video options. Pricey. View More The Bottom Line The EOS M6 Mark II marks a big step forward for Canon's APS-C mirrorless system, but the available lenses aren't as appealing as those offered by Fujifilm and Sony. Like What You're Reading? Sign up for Lab Report to get the latest reviews and top product advice delivered right to your inbox. This newsletter may contain advertising, deals, or affiliate links. Subscribing to a newsletter indicates your consent to our Terms of Use and Privacy Policy. You may unsubscribe from the newsletters at any time. Sobre a loja A Bella Photo é uma loja de equipamentos fotográficos desde 1999. REVENDA AUTORIZADA CANON. Câmeras Canon CINEMA / PROVIDEO / VIDEO PROFISSIONAL. Especialista Canon, Nikon, SanDisk, Sigma,Sony, Sekonic. Conte com toda a credibilidade de mais de 24 anos de história. Compre no site receba em casa. Horário de Atendimento Segunda a sexta-feira exceto feriados, das 9h às 18h.